{"id":7283,"date":"2005-10-01T00:00:00","date_gmt":"2005-10-01T00:00:00","guid":{"rendered":"https:\/\/insulation.org\/io\/articles\/why-is-it-so-noisy\/"},"modified":"2005-10-01T00:00:00","modified_gmt":"2005-10-01T00:00:00","slug":"why-is-it-so-noisy","status":"publish","type":"articles","link":"https:\/\/insulation.org\/io\/articles\/why-is-it-so-noisy\/","title":{"rendered":"Why Is It So Noisy?"},"content":{"rendered":"<p>\nIn a 1930s pulp magazine entitled The Avenger, a character walking down a street saw a building explode. He did not hear it <\/p>\n<p>explode because, according to the narrative, the sound was so loud that his hearing was temporarily stunned. He watched as <\/p>\n<p>the building silently collapsed, and his hearing returned to normal a few pages later. <\/p>\n<p>\nNaturally, a pulp magazine&mdash;especially one with a central character who can transform to look like anyone else in the <\/p>\n<p>world&mdash;does not have to adhere strictly to the facts. However, in the real world, excess noise and subsequent hearing damage <\/p>\n<p>and loss pose a significant risk in the workplace.<\/p>\n<p>\nIn 1991, the Occupational Safety and Health Administration&#8217;s (OSHA&#8217;s) Directorate of Compliance Programs issued a memo <\/p>\n<p>instructing regional offices to cite employers for failure to record instances of occupational hearing loss. This is defined <\/p>\n<p>as &#8220;an average shift in hearing of 25 dB or more at 2,000, 3,000 and 4,000 Hz in either ear, if an exposure in the work <\/p>\n<p>environment either caused, aggravated or contributed to the case.&#8221; The shift must be calculated by comparing the current <\/p>\n<p>hearing test with the original baseline audiogram for the employee, adjusting for age if appropriate. OSHA formally codified <\/p>\n<p>hearing loss recordability as part of its record-keeping rule in 2001, and it was implemented on January 1, 2003. Hearing <\/p>\n<p>loss is now officially recognized as a workplace hazard.<\/p>\n<p><b><br \/>\nLoud Noise Can Affect More Than Hearing<\/b><\/p>\n<p>\nCatherine Palmer, Ph.D., is director of the Center for Audiology and Hearing Aids at the University of Pittsburgh Eye and Ear <\/p>\n<p>Institute and is an associate professor of otolaryngology and of communications science and disorders at the university. Dr. <\/p>\n<p>Palmer notes there are many reasons why noise can be a problem. Audiologists worry about noise when it interferes with <\/p>\n<p>communication or is loud enough to cause permanent hearing loss. Noise also contributes to the perception of tinnitus <\/p>\n<p>(ringing in the ears), which can be an annoying or disabling condition. In addition, loud noise is known to elevate blood <\/p>\n<p>pressure in some individuals.<\/p>\n<p>\nDavid C. Byrne, a research audiologist for the National Institute for Occupational Safety and Health (NIOSH), agrees. &#8220;Noise <\/p>\n<p>is often defined as &#8216;unwanted sound,'&#8221; he says. Sometimes the noise level is not loud enough to produce a health hazard, but <\/p>\n<p>it may present a nuisance to nearby individuals. Everyday noise (i.e., loud music, recreational activities, barking dogs, <\/p>\n<p>road\/air traffic, etc.) can be annoying and is exacerbated by factors such as time of day, particular location (e.g., <\/p>\n<p>urban\/rural) and the duration, volume and character of the noise. Too much noise can also be an issue in indoor office areas, <\/p>\n<p>particularly where the noise is comprised of conversations that can be overheard between cubicles.<\/p>\n<p>\nIs this as big a problem as OSHA believes? Byrne thinks it is. &#8220;Exposure to high sound levels results in the development of <\/p>\n<p>noise-induced hearing loss, which can be a serious physical, psychological and social problem. Occupational hearing loss is <\/p>\n<p>the most common occupational disease in the United States and is listed among the 21 priority research areas, as described in <\/p>\n<p>the NIOSH National Occupational Research Agenda. Efforts to prevent occupational hearing loss appear to be hindered because <\/p>\n<p>the problem is insidious and occurs without causing pain in affected workers. One consequence of noise-induced hearing loss <\/p>\n<p>is a reduced quality of life due to the inability to communicate with family, friends and the general public. However, this <\/p>\n<p>normally occurs after the hearing loss has progressed too far and the damage is irreversible.&#8221;<\/p>\n<p><b><br \/>\nAbsorption, Isolation and the Combination of Both<\/b><\/p>\n<p>\nDr. Palmer believes that there are several solutions to the problem of excess noise: &#8220;Remove oneself from the situation; wear <\/p>\n<p>hearing protection; reduce the actual noise source; or treat the environment to reduce the noise that impacts the <\/p>\n<p>individual.&#8221; Many sources of noise in the workplace cannot easily be reduced; therefore, environmental treatment must be <\/p>\n<p>implemented.<\/p>\n<p>\nByrne discussed the use of insulation in combating sound, saying, &#8220;The important concept to remember here is that there is a <\/p>\n<p>distinction between absorption and attenuation (isolation) of sound.&#8221; <\/p>\n<p>\nAbsorption, as measured by the absorption coefficient (a), is desirable for reducing noise within a space, he went on to <\/p>\n<p>explain. Sound absorption is realized by materials&mdash;usually porous and often lightweight&mdash;that dissipate the acoustical energy <\/p>\n<p>as heat (in negligible amounts) when the sound waves propagate through. Tables containing frequency-by-frequency absorption <\/p>\n<p>coefficients for various materials are printed in acoustical textbooks and manufacturer&#8217;s product data. The absorption <\/p>\n<p>coefficient is always a number between 0 and 1 and represents the percentage of sound absorbed by the material (e.g., 0 = no <\/p>\n<p>acoustical energy absorbed; 0.5 = 50 percent absorbed and 0.99 = 99 percent absorbed).<\/p>\n<p>\nA high sound isolation factor, measured by the number of decibels lost in transmission, is desirable for preventing sound <\/p>\n<p>transmission. This is achieved using materials that sound waves cannot easily penetrate. A good attenuating material is <\/p>\n<p>typically nonporous, dense and relatively heavy. Unlike sound-absorption materials (e.g., soft foam), sound-isolation <\/p>\n<p>materials usually have structural functions (e.g., concrete or bricks). Tables\/charts are available that list the sound <\/p>\n<p>transmission class (STC) of common construction materials.<br \/>\nAcoustical absorbers are usually poor attenuators or sound barriers. A good attenuator reflects sound waves and thus has a <\/p>\n<p>low absorption coefficient. Manufacturers often combine materials with different properties to achieve both absorption and <\/p>\n<p>isolation (e.g., urethane foam bonded to a dense substrate). <\/p>\n<p><b><br \/>\nThe Best Type of Insulation for the Job<\/b><\/p>\n<p>\nWhen asked whether mineral wool or fiberglass is better for sound control, Byrne had mixed feelings. &#8220;The answer depends on <\/p>\n<p>exactly what you want the material for,&#8221; he said. In general, both materials work on the same acoustical principle of <\/p>\n<p>absorption.<\/p>\n<p>\nOpen-cell or open-structure products are better than closed-cell or closed-structure for acoustical purposes. Some examples <\/p>\n<p>of open-cell products are commonly known. &#8220;Mineral wool&#8221; refers to three types of insulation that are basically the same: <\/p>\n<p>glass wool or fiberglass, which is made from recycled glass; rock wool, which is made from basalt (an igneous rock); and slag <\/p>\n<p>wool, which is made from steel-mill slag. For many years, mineral wool was the most widely used insulation in the United <\/p>\n<p>States, Canada and Europe. Although mineral wool is much heavier and costs more than fiberglass and cellulose, it offers some <\/p>\n<p>substantial benefits such as being more heat resistant than fiberglass. <\/p>\n<p>\nRegarding acoustics, the combined effect of the surface openings, internal structure, flow resistance and thickness <\/p>\n<p>determines the absorption coefficient of the material. Proper installation is necessary for optimal performance of acoustical <\/p>\n<p>materials. For example, unless approved by the manufacturer, a material should not be compressed to less than the original <\/p>\n<p>thickness when being installed. Likewise, paint or other surface treatments\/coverings may severely degrade a material&#8217;s <\/p>\n<p>absorptive properties. To determine the best material for the job, it is helpful to consult the manufacturer or a table of <\/p>\n<p>the representative physical characteristics and absorption coefficients for different forms\/thicknesses of fiberglass and <\/p>\n<p>mineral wool. The best-suited material for a particular application may depend on environmental conditions rather than <\/p>\n<p>acoustical considerations.<\/p>\n<p><b><br \/>\nImportant Elements of Sound Control<\/b><\/p>\n<p>\nSTC and noise reduction coefficient (NRC) are important elements of sound control. Everything in acoustics, particularly <\/p>\n<p>regarding noise-control issues, is frequency dependent. Significantly different treatments\/solutions may be required, <\/p>\n<p>depending on whether the offending noise is at a very high or very low frequency. It can be helpful to condense a set of <\/p>\n<p>acoustical properties into a single number.<\/p>\n<p>\nSTC is a single-number rating used primarily to measure the speech privacy of a barrier or other structure (e.g., walls, <\/p>\n<p>doors, windows, office partitions, etc.). It is determined from a plot of frequency-specific transmission loss data measured <\/p>\n<p>in 1\/3-octave bands from 125 to 4,000 Hz. STC is often specified as a performance criterion by architects and engineers for <\/p>\n<p>places where speech privacy is of primary interest. It is important to note that STC is measured in an acoustical laboratory <\/p>\n<p>(where the test specimen is mounted between two reverberation chambers); therefore, the labeled STC value of a product will <\/p>\n<p>be fully realized only if it is installed correctly.<\/p>\n<p>\nNRC is also a single-number rating. It is typically used when specifying the desired and\/or required absorptive <\/p>\n<p>characteristics of a material. The NRC for a material can be obtained easily by taking the mathematical average of the <\/p>\n<p>absorption coefficients at 250, 500, 1,000 and 2,000 Hz. Careful consideration is necessary when using NRC values to compare <\/p>\n<p>or select materials because absorption coefficients can vary widely in frequency even if NRC values are similar.<\/p>\n<p>\nSound insulation comes in many forms, including panels with perforated steel coverings that help trap sound and fiberglass <\/p>\n<p>cloth, which can be draped over an object and sealed with vinyl, for a less permanent control attempt. <\/p>\n<p>When asked about a new advance in mastic, or insulating paint, Byrne said, &#8220;If you are referring to spray-on <\/p>\n<p>thermal\/acoustical (typically cellulose) insulation, then everything [we have] discussed regarding acoustical absorption <\/p>\n<p>applies here as well. Again, the exact characteristics of the material and the final thickness will govern its acoustical <\/p>\n<p>qualities.&#8221;<\/p>\n<p>\nHe continued, saying, &#8220;It looks like this particular sound-reduction paint coating also works on the principle of acoustical <\/p>\n<p>absorption. In other words, this paint apparently adds an absorptive layer to the wall surface, where the incident sound <\/p>\n<p>waves are dissipated (absorbed) by the coating instead of just bouncing back off the wall. In theory, this should work fine. <\/p>\n<p>However, I would question its usefulness for a couple of reasons. First, the resulting &#8216;thickness&#8217; is actually so thin that <\/p>\n<p>only the very highest audio frequencies would likely be absorbed (typically, the lower the frequency, the greater the <\/p>\n<p>thickness required). Also, they advertise a 30-percent reduction of sound. I&#8217;m not sure exactly what they are referring to or <\/p>\n<p>how they calculated it, but a 30-percent reduction may only be measured as a 1- to 2-decibel difference, which is barely <\/p>\n<p>noticeable to most people.&#8221;<\/p>\n<p><b><br \/>\nInsulation Is Working<\/b><\/p>\n<p>\nExcess sound remains a danger in commercial work areas. Even in an office, free from the sounds of spinning turbines and <\/p>\n<p>pounding jackhammers, excess noise can be a problem. If not for insulation around us, the constant whine of a Xerox machine <\/p>\n<p>or dot-matrix printer would be significantly more grating. At home, a teenager&#8217;s loud stereo can contribute to discomfort or <\/p>\n<p>partial hearing loss. To combat such noises, we have the acoustical engineers of the insulation industry. They may not be <\/p>\n<p>able to stop exploding buildings from causing temporary deafness, but they can help keep noise in the workplace under <\/p>\n<p>control.  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Excess noise can have long-term effects   on building workers, but insulation can help.<\/p>\n","protected":false},"author":[137],"featured_media":0,"template":"","categories":[298,301,20],"class_list":["post-7283","articles","type-articles","status-publish","hentry","category-installation","category-design","category-acoustics","author-bruce-and-amy-kent"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.0 (Yoast SEO v24.6) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Why Is It So Noisy? - Insulation Outlook Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/insulation.org\/io\/articles\/why-is-it-so-noisy\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Why Is It So Noisy?\" \/>\n<meta property=\"og:description\" content=\"Excess noise can have long-term effects  on building workers, but insulation can help.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/insulation.org\/io\/articles\/why-is-it-so-noisy\/\" \/>\n<meta property=\"og:site_name\" content=\"Insulation Outlook Magazine\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/insulation.org\/io\/articles\/why-is-it-so-noisy\/\",\"url\":\"https:\/\/insulation.org\/io\/articles\/why-is-it-so-noisy\/\",\"name\":\"Why Is It So Noisy? 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